Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. With Acting and Dialogue, the temptation is to try to do everything at once - Williams' advice: do one thing at a time. Richard Williams shows how that performance can be achieved with flexibility and contrast. The Director's job is to hold everything together so that the animator can give the performance. As a director, whatever your idea is, you want to put it over, so the main thing with directing is to be clear - very clear. This Mini focuses on Directing, Dialogue and Acting. The Animation Minis take some of the most essential chapters and make them available in smaller, lightweight, hand-bag/backpack size versions. However, sometimes you don't want to carry the hefty expanded edition around with you to your college or studio if you're working on just one aspect of it that day. The Animator's Survival Kit is the essential tool for animators. DIRECTING, DIALOGUE AND ACTING From Richard Williams' The Animator's Survival Kit comes key chapters in mini form.
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